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Certain Girls

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Readers fell in love with Cannie Shapiro, the smart, sharp-tongued, bighearted heroine of Good in Bed who found her happy ending after her mother came out of the closet, her father fell out of her life, and her ex-boyfriend started chronicling their ex-sex life in the pages of a national magazine.

Now Cannie's back. After her debut novel — a fictionalized (and highly sexualized) version of her life — became an overnight bestseller, she dropped out of the public eye and turned to writing science fiction under a pseudonym. She's happily married to the tall, charming diet doctor Peter Krushelevansky and has settled into a life that she finds wonderfully predictable — knitting in the front row of her daughter Joy's drama rehearsals, volunteering at the library, and taking over-forty yoga classes with her best friend Samantha.

As preparations for Joy's bat mitzvah begin, everything seems right in Cannie's world. Then Joy discovers the novel Cannie wrote years before and suddenly finds herself faced with what she thinks is the truth about her own conception — the story her mother hid from her all her life. When Peter surprises his wife by saying he wants to have a baby, the family is forced to reconsider its history, its future, and what it means to be truly happy.

Radiantly funny and disarmingly tender, with Weiner's whip-smart dialogue and sharp observations of modern life, Certain Girls is an unforgettable story about love, loss, and the enduring bonds of family.
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    • Publisher's Weekly

      January 28, 2008
      Following the story collection The Guy Not Taken
      , Weiner turns in a hilarious sequel to her 2001 bestselling first novel, Good in Bed
      , revisiting the memorable and feisty Candace “Cannie†Shapiro. Flashing forward 13 years, the novel follows Cannie as she navigates the adolescent rebellion of her about-to-be bat mitzvahed daughter, Joy, and juggles her writing career; her relationship with her physician husband, Peter Krushelevansky; her ongoing weight struggles; and the occasional impasse with Joy's biological father, Bruce Guberman. Joy, whose premature birth resulted in her wearing hearing aids, has her own amusing take on her mother's overinvolvement in her life as the novel, with some contrivance, alternates perspectives. As her bat mitzvah approaches, Joy tries to make contact with her long absent maternal grandfather and seeks more time with Bruce. In addition, unbeknownst to Joy, Peter has expressed a desire to have a baby with Cannie, which means looking for a surrogate mother. Throughout, Weiner offers her signature snappy observations: (“good looks function as a get-out-of-everything-free cardâ€) and spot-on insights into human nature, with a few twists thrown in for good measure. She expends some energy getting readers up to speed on Good
      , but readers already involved with Cannie will enjoy this, despite Joy's equally strong voice.

    • Library Journal

      Starred review from March 1, 2008
      Clear your calendar and prepare to read: Cannie Shapiro (of "Good in Bed") is back! Cannie, now 42, has been married to her "Doctor Peter" for more than ten years, and "baby" Joy is turning 13. In alternating chapters covering roughly a year, Cannie and Joy share the emotion-packed experiences of parenting and being a teen. (At some point, Weiner may have planned this as "The Bat Mitzvah Diaries".) Added complications are Peter's desire for a baby via surrogate and Joy's classmates' discovery of the sexy novel Cannie published a decade ago, "Big Girls Don't Cry" (i.e., "Good in Bed"). Joy vacillates between loving and hating her mother and her complex family structure, while Cannie struggles to let her baby grow up; readers will laugh and cry for them both. Returning in this sequel, among others, is Cannie's best friend, Sam, still looking for the perfect mate (i.e., an unmarried Jewish male under 60). With six best sellers in seven years, Weiner is a talented writer who consistently delivers the goods. (Note: "Fk" is sprinkled judiciously throughout.) An essential read for fans and an essential buy for public libraries. [See Prepub Alert, "LJ" 7/07; originally slated for October 2007 publication.Ed.]Rebecca Kelm, Northern Kentucky Univ. Lib., Highland Heights

      Copyright 2008 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      Starred review from July 27, 2009
      At the start of Fate's masterful fourth 1950s PI novel (after 2008's Baby Shark's High Plains Redemption
      )¸ Kristin Van Dijk, who's been tied up in a farmhouse by two silver thieves she was tracking, manages to free herself and take out a killer, later identified as a sociopathic felon, who a little earlier showed up and gunned down the two thieves, unaware of her presence. Meanwhile, word reaches Kristin's partner, Otis Millett, that his ex-wife, Dixie Logan, a former stripper known as the Dallas Firecracker, has been murdered. Dixie's last job was at a bank in Mesquite, Tex., that had been held up a few weeks before, and her body was found with that of a man who may have been one of the robbers. Kristin, a hard-as-nails heroine who's completely credible, and Otis dedicate themselves to solving Dixie's murder and sorting out whether she colluded in the bank theft. The pages will speed by for readers who enjoy gritty crime tales with plenty of flying bullets.

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