Day After Night

July 6, 2009
Diamant’s bestseller, The Red Tent
, explored the lives of biblical women ignored by the male-centric narrative. In her compulsively readable latest, she sketches the intertwined fates of several young women refugees at Atlit, a British-run internment camp set up in Palestine after WWII. There’s Tedi, a Dutch girl who hid in a barn for years before being turned in and narrowly escaping Bergen-Belsen; Leonie, a beautiful French girl whose wartime years in Paris are cloaked with shame; Shayndel, a heroine of the Polish partisan movement whose cheerful facade hides a tortured soul; and Zorah, a concentration camp survivor who is filled with an understandable nihilism. The dynamic of suffering and renewed hope through friendship is the book’s primary draw, but an eventual escape attempt adds a dash of suspense to the astutely imagined story of life at the camp: the wary relationship between the Palestinian Jews and the survivors, the intense flirtation between the young people that marks a return to life. Diamant opens a window into a time of sadness, confusion and optimism that has resonance for so much that’s both triumphant and troubling in modern Jewish history.

September 7, 2009
Diamant's interpretation of the founding of Israel centers on several young women, many of them survivors of the Nazi concentration camps, attempting an escape from another camp, this one a British internment center in Palestine. Dagmara Dominczyk is good with the panoply of European accents evinced by Diamant's characters, and does an adequate job with the Hebrew and Yiddish gutturals, but some of the basics flummox her: the name of one of the book's protagonists should be pronounced SHAYN-del, not Shayn-DEL. These jarring mistakes notwithstanding, Dominczyk is adept at modulating her voice, using shifts in timber, intonation, and accent bring each of Diamant's heroines to life. A Scribner hardcover (Reviews, Jul. 6).