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All We Ever Wanted Was Everything

Audiobook
1 of 1 copy available
1 of 1 copy available
A smart, comic page-turner about a Silicon Valley family in free fall over the course of one eventful summer from the author of Watch Me Disappear and Pretty Things

When Paul Miller’s pharmaceutical company goes public, making his family IPO millionaires, his wife, Janice, is sure this is the windfall she’s been waiting years for—until she learns, via messengered letter, that her husband is divorcing her (for her tennis partner!) and cutting her out of the new fortune. Meanwhile, four hundred miles south in Los Angeles, the Millers’ older daughter, Margaret, has been dumped by her newly famous actor boyfriend and left in the lurch by an investor who promised to revive her fledgling post-feminist magazine, Snatch. Sliding toward bankruptcy and dogged by creditors, she flees for home where her younger sister Lizzie, 14, is struggling with problems of her own. Formerly chubby, Lizzie has been enjoying her newfound popularity until some bathroom graffiti alerts her to the fact that she’s become the school slut.
The three Miller women retreat behind the walls of their Georgian colonial to wage battle with divorce lawyers, debt collectors, drug-dealing pool boys, mean girls, country club ladies, evangelical neighbors, their own demons, and each other, and in the process they become achingly sympathetic characters we can’t help but root for, even as the world they live in epitomizes everything wrong with the American Dream. Exhilarating, addictive, and superbly accomplished, All We Ever Wanted Was Everything crackles with energy and intelligence and marks the debut of a knowing and very funny novelist, wise beyond her years.
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    • Publisher's Weekly

      April 7, 2008
      In Brown's withering Silicon Valley satire, a family wakes up on a June day to realize that patriarch Paul's company has hit the big time with a phenomenal IPO. But instead of rejoicing about being newly rich, the family's three women each find themselves in the throes of a major crisis. Paul has fled with his new amour, who happens to be wife Janice's tennis partner. Desperate housewife Janice discovers the soothing power of the pool boy's drug stash and sinks into addiction and denial. Meanwhile, 20-something daughter Margaret learns the price of living a Hollywood lifestyle on an artsy hipster's budget—gargantuan credit card debt. Finally, 14-year-old Lizzie wades deeper and deeper into a sea of adolescent trouble without an adult to confide in. From the ashes of their California dreams, the three must learn to talk to each other instead of past each other, and build a new, slightly more realistic existence—but not without doses of revenge and hilarity. Brown's hip narrative reads like a sharp, contemporary twist on The Corrections
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    • Publisher's Weekly

      May 26, 2008
      An unexceptional reading makes the audio version of this satiric work of women's fiction a pleasantly neutral experience. Paul Miller's announcement of his intent to divorce his wife leaves his accomplished housewife-socialite feeling empty and purposeless. Meanwhile, 28-year-old daughter Margaret attempts to hide from the catastrophic failure of her feminist magazine, and 14-year-old Lizzie deals with the consequences of believing that having sex with six guys in three months will make her cool. Rebecca Lowman reads expressively and unobtrusively: she doesn't detract from the text, but she doesn't enhance it, either. This smooth abridgement is acceptable, if not particularly diverting. A Spiegel & Grau hardcover (Reviews, Apr. 7).

    • AudioFile Magazine
      On the day her husband's pharmaceutical company goes public, Janice Miller is having difficulties. First, she can't find the right melon for her special appetizers anywhere in Silicon Valley, and then an email from her husband announces his plans to divorce her, taking everything for himself, including her tennis partner. The story's satire is evident in its situations and in Rebecca Lowman's tones even before Janice gets the fateful email. Irony mounts as Janice's eldest daughter races home, pursued by creditors, while her youngest earns a reputation as "school slut." Janice's purchases of methamphetamines from the pool guy build tension and black comedy, both skillfully rendered by Lowman. Problems clear up late in the story, but it seems right for the absurdities to dominate. S.W. (c) AudioFile 2008, Portland, Maine

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