Espresso Tales

May 22, 2006
Once again McCall Smith fixes his telescope on the windows of 44 Scotland Street, the converted Georgian townhouse in Edinburgh that provided the title for his previous novel and initiated this latest series. This time out, perhaps Bertie, the gifted five-and-three-quarter-year-old, will be allowed to have the normal boyhood envisioned by his father, Stuart, and go trout fishing instead of taking yoga and Italian lessons in the "ungendered" life designed by his mother, Irene. But maybe trout fishing will turn out to be less than idyllic. McCall Smith delivers plenty of twists and turns as he skewers the puffery, the pretense, the tedium and self-defeating moves in his characters' daily lives. He also forgives them their weaknesses and bathes them in love. Take Ramsey Dubarton, who puts his wife, Betty, to sleep by reading her installments of his memoirs: Betty dozes and the reader laughs—with real admiration for his opacity. As ever, McCall Smith's pacing is impeccable: moving his focus from one character to another seamlessly, dropping in just the right amount of description, keeping the talk light and sharp. Fans of this new series, here served with plenty of java, will be buzzed to know that a third volume is in the making.

November 1, 2006
Adult/High School-This is the second volume of a serial novel that the author has been publishing in "The Scotsman" about a group of loosely connected people living in present-day Edinburgh. The most interesting character for teen readers is Bertie Pollock, a precocious six-year-old who is being forced by his mother to study Italian, play the saxophone, take yoga, and endure psychoanalysis because of his understandable rebellion against her efforts to prevent him from being an ordinary boy. Bertie and his father grow closer and eventually assert their independence. Mrs. Pollock, meanwhile, has her own moments of revelation as she discovers that the analyst is not as perfect as she thought. The other stories revolve around a coffee-shop owner and some of her patrons and the residents of 44 Scotland Street, who were the subjects of the first book. Many of the characters are strikingly flawed, but McCall Smith eventually finds some redeeming, human side to them. He examines Scottish culture, from would-be art and wine dealers to raincoat-wearing nudists and members of the Scottish mafia. The relationships among the characters grow in unexpected and touching ways. The author has a critical yet forgiving eye for human failings. This novel is a prose poem about the small things in life that are being threatened by globalization and mass entertainment."Will Marston, Berkeley Public Library, CA"

Copyright 2006 School Library Journal, LLC Used with permission.

September 4, 2006
McCall Smith is such a prolific author that he needs at least three readers to keep up with him. The series that transpire in Scotland have two performers. Davina Porter narrates the Sunday Philosophy Club series while Mackenzie performs the series about 44 Scotland Street. Porter is the better performer as she catches the various cadences of Edinburgh's middle class. Mackenzie's characters sound pretty much alike in terms of their accents, with the exception of Angus's hearty brogue. Its also annoying that some of the women are given the same tiny voices used for a six-year-old genius. Best is Mackenzie's over-the-top enactment of Lard, a Glaswegian gangster and his cohorts with their barely comprehensible street slang and thick accents. The major problem with this production is the lugubrious pace of the narration. Although Espresso Tales
is the second book in a series, the audio helpfully provides two summaries of characters and events at the beginning. Despite the reader's lack of pep, the author's sly, gentle humor shines through and makes this audio charming and engaging. Simultaneous release with the Anchor paperback (Reviews, May 22).