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Shanghailanders

A Novel

Audiobook
1 of 1 copy available
1 of 1 copy available

A dazzling and ambitious debut novel that follows a cosmopolitan Shanghai household backward in time—beginning in 2040 and moving through our present and the recent past—exploring their secrets, their losses, and the ways a family makes and remakes itself across the years.

 2040: Wealthy real estate investor Leo Yang—handsome, distinguished, a real Shanghai man—is on the train back to the city after seeing his family off at the airport. His sophisticated Japanese-French wife, Eko, and their two eldest children, Yumi and Yoko, are headed for Boston, though one daughter's revelation will soon reroute them to Paris. 2039: Kiko, their youngest daughter and an aspiring actress, decides to pursue fame at any cost, like her icon Marilyn Monroe. 2038: Yumi comes to Yoko in need, after a college-dorm situation at Harvard goes disastrously wrong.

As the years rewind to 2014, Shanghailanders brings readers into the shared and separate lives of the Yang family parent by parent, daughter by daughter, and through the eyes of the people in their orbit—a nanny from the provinces, a private driver with a penchant for danger, and a grandmother whose memories of the past echo the present. We glimpse a future where the city's waters rise and the specter of apocalypse is never far off. But in Juli Min's hands, we also see that whatever may change, universal constants remain: love is complex, life is not fair, and family will always be stubbornly connected by blood, secrets, and longing.

Brilliantly constructed and achingly resonant, Shanghailanders is an unforgettable exploration of marriage, relationships, and the layered experience of time.

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    • Publisher's Weekly

      May 6, 2024
      Min’s assured debut, told in reverse chronology, follows a wealthy Shanghai family from 2040 to 2014. Real estate investor Leo Yang stays behind in Shanghai as his wife, Eko, travels with their two oldest daughters, Yumi and Yoko, to the U.S. When Yoko confesses her pregnancy to Eko, the two secretly reroute to Paris for an abortion, which is now illegal in America. One year earlier, their youngest daughter, Kiko, works as an escort, and in 2034, Leo, who has episodes of “manic paranoia” fueled by apocalyptic fears, forces the family to practice survival skills on a farm outside town. Other episodes depict a 2028 princess party for Kiko, and Leo’s tentative start at building his fortune in 2014, the year he and Eko marry. Though the main characters are somewhat underdeveloped, Min casts a sharper eye on the family’s employees, especially their nanny, who must come to terms with the fact that the bond she feels with the children is not mutual. Though the disparate threads don’t quite cohere, they credibly reflect the messiness of family. Min is a writer worth keeping tabs on. Agent: Stephanie Delman, Trellis Literary Management.

    • AudioFile Magazine
      Mei Mei Macleod narrates a family drama told in reverse, starting in 2040 and ending in 2014. Leo Yang; his Japanese French wife, Eko; and their three daughters, Yumi, Yoko, and Kiko, navigate the complexities of life in Shanghai and elsewhere. As the story moves backward, characters become younger, a development that allows Macleod to subtly change her portrayals of the three daughters while still leaving each character recognizable as her previous older self. Macleod dazzles with her linguistic prowess as she voices the numerous accents required by the large cast of characters and smoothly performs dialogue in French, Japanese, and Chinese, in addition to English. An outstanding performance of a startling novel. K.M.P. © AudioFile 2024, Portland, Maine
    • Library Journal

      August 1, 2024

      Min, editor in chief of the Shanghai Literary Review, debuts with a captivating portrait of a wealthy Shanghai family, moving backward in time from 2040 to 2014. With thoughts of an idyllic life that might have been, real estate investor Leo Yang takes a high-speed train home after dropping off his Japanese French wife, Eko, and daughters, Yumi and Yoko, at the airport. As the story unfolds, narrator Mei Mei Macleod introduces listeners to the other members of the family: bitter and insecure eldest daughter Yumi, brilliant but overlooked middle daughter Yoko, and Kiko, the baby of the family, who's more grown up than anyone realizes. Within the intertwining perspectives, Macleod sensitively relays the stories of the others who orbit the Yang family, including their live-in nanny, whose investment in her charges can never be returned in full, and the family's private driver, who engages in harrowing nighttime street races. Macleod supplies subtly different voices for each character, including a French-tinged accent for Eko; her voices for the children are appropriately youthful, if a bit grating. VERDICT A haunting, kaleidoscopic portrait of a family whose ever-deepening faultlines threaten their tenuous bonds. Min is a writer to watch.--Sarah Hashimoto

      Copyright 2024 Library Journal, LLC Used with permission.

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