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Mudwoman

A Novel

Audiobook
1 of 1 copy available
1 of 1 copy available

Mudgirl is a child abandoned in the silty flats of the Black Snake River. Mudgirl survives by an accident of fate--or destiny. After her rescue, the well-meaning couple who adopt Mudgirl quarantine her poisonous history behind the barrier of their middle-class values. But the bulwark of the present proves surprisingly vulnerable to the agents of the past.

Meredith "M.R." Neukirchen is the first woman president of an Ivy League university. Her commitment to her career and moral fervor are all-consuming. Involved with a secret lover and concerned with the intensifying crisis of the American political climate, M.R. is confronted with challenges to her leadership that test her in ways she could not have anticipated. A reckless trip to upstate New York thrusts M.R. into an unexpected psychic collision with Mudgirl and the life M.R. believes she has left behind.

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    • Publisher's Weekly

      October 10, 2011
      Oates begins her 38th novel with a nod to Nietzsche (“What is man? A ball of snakes”) that lies at the mud-caked heart of this tale of the rise and stumbling fall of M.R. Neukirchen, a brilliant academic whose childhood starts in the mudflats of the Black Snake River, where she is abandoned in 1965. But by 2002, M.R. has reached the top of the ivory tower. After a full ride to Cornell, and a Ph.D. from Harvard, she is now, at 41, the first female president of another Ivy institution. M.R.’s ambitious plans include upending the patriarchy and increasing diversity on campus, but both prove difficult in the post-9/11 “era of ‘Patriotism’ ” as the U.S. prepares to invade Iraq. M.R.’s identity, idealism, and sanity are all threatened as she wades through obstacles, including sabotaging right-wing colleagues and students. Though she has never considered herself the victim of sexism, M.R. must confront her gender when it becomes the lens through which her leadership is judged. Likewise, the philosophical question she has dedicated her career to answering—what is the self?—must be turned inward. Oates’s prose, dominated by run-on sentences to imitate fury or swiftness and a colloquial voice lacking nuance, is uninspired, but fans will relish the depth of this inquiry.

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  • English

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