We Were the Mulvaneys

June 4, 2001
In a tale told primarily from the point of view of the youngest boy, Judd, listeners learn how each of the Mulvaneys struggles with 16-year-old Marianne's date rape and her father's fierce reaction to it—Mike Mulvaney bans his daughter from the house, ostensibly because she will not name her rapist. In her 26th novel, Oates once again shows her prowess as mistress of the macabre. The best scenes are not early on when we're introduced to the lovely, successful Mulvaneys, their smart and charming children, and their middle-class American milieu. They are not in the rebuilding of individual lives in the wake of the father's disintegration and death. Nor are they toward the end, when the Mulvaneys reunite as an almost-functional, though much-changed family. It is the flashbacks of Marianne's date rape and especially brother Patrick's plotting and executing his vigilante justice that carry listeners from sentence to sentence throughout Adams's utterly convincing reading. Based on the Penguin hardcover.

Starred review from September 2, 1996
Elegiac and urgent in tone, Oates's wrenching 26th novel (after Zombie) is a profound and darkly realistic chronicle of one family's hubristic heyday and its fall from grace. The wealthy, socially elite Mulvaneys live on historic High Point Farm, near the small upstate town of Mt. Ephraim, N.Y. Before the act of violence that forever destroys it, an idyllic incandescence bathes life on the farm. Hard-working and proud, Michael Mulvaney owns a successful roofing company. His wife, Corinne, who makes a halfhearted attempt at running an antique business, adores her husband and four children, feeling "privileged by God." Narrator Judd looks up to his older brothers, athletic Mike Jr. ("Mule") and intellectual Patrick ("Pinch"), and his sister, radiant Marianne, a popular cheerleader who is 17 in 1976 when she is raped by a classmate after a prom. Though the incident is hushed up, everyone in the family becomes a casualty. Guilty and shamed by his reaction to his daughter's defilement, Mike Sr. can't bear to look at Marianne, and she is banished from her home, sent to live with a distant relative. The family begins to disintegrate. Mike loses his business and, later, the homestead. The boys and Corinne register their frustration and sadness in different, destructive ways. Valiant, tainted Marianne runs from love and commitment. More than a decade later, there is a surprising denouement, in which Oates accommodates a guardedly optimistic vision of the future. Each family member is complexly rendered and seen against the background of social and cultural conditioning. As with much of Oates's work, the prose is sometimes prolix, but the very rush of narrative, in which flashbacks capture the same urgency of tone as the present, gives this moving tale its emotional power. 75,000 first printing; author tour.