Haunted

February 21, 2005
What elevates Palahniuk's best novels (e.g., Fight Club
) above their shocking premises is his ability to find humanity in deeply grotesque characters. But such generosity of spirit is not evident in his latest, which charts the trials of a group of aspiring writers brought together for a three-month writer's retreat in an abandoned theater. The novel intersperses the writers' poems and short stories with tales of the indignities they heap upon themselves after deciding to turn their lives into a "true-life horror story with a happy ending." They lock themselves in the theater, reasoning that once they're found, they'll all become rich and famous. They raise the stakes of their story by first depriving themselves of phones, and then of food and electricity; eventually they cut off their own fingers, toes and unmentionables before they start dying off and eating each other. Palahniuk tells his story with such blithe disregard for these characters that it's hard not to wish he had dispensed with the novel altogether and published, instead, the 23 short stories that pop up throughout the book. For instance, "Obsolete," about a young girl about to commit state-mandated suicide, and "Slumming," about rich couples who pretend to be homeless, play so deftly with expectations and have an emotional core so surprising that they consistently, powerfully transcend their macabre premises to showcase the heart beating beneath the horrors. Agent, Edward Hibbert at Donadio & Olson.

July 11, 2005
One of Palahniuk's more sweeping and macabre offerings, this is a collection of 23 short stories and poems generated at a fictional writer's retreat turned grotesque survival camp. The pieces range from the stomach-turning to the satirical or the absurd. The seven readers tackling the decidedly offbeat Palahniuk are, for the most part, refreshingly successful. Cashman is a standout, narrating the action at the retreat. His voice shuttles nimbly between the male and female writers, while maintaining the integrity of his own unnamed character. Morey's narration is disappointing on "Guts," the novel's most notorious and gruesome tale, which has reportedly caused some listeners to faint. Morey sounds too mature and polished for this series of wicked adolescent masturbatory nightmares. In general, the multivoiced narration is practiced and professional, with the trio of actresses turning in particularly strong performances. The other side of all that spit and polish is that Palahniuk's humor is occasionally stifled. Some listeners may wonder whether the author's prose is so singular that only he might be capable of delivering it. But overall, an engaging, albeit lengthy, listen. Simultaneous release with Doubleday hardcover (Reviews, Feb. 21).