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Body Horror

Capitalism, Fear, Misogyny, Jokes

Audiobook
1 of 1 copy available
1 of 1 copy available

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women's bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate. Informed by her own navigation of several autoimmune diagnoses, Moore examines what it takes to seek care and community in the increasingly complicated, problematic, and disinterested US healthcare system.


A Lambda Literary Award finalist and a Chicago Review of Books Nonfiction Award shortlist title, Body Horror is "sharp, shocking, and darkly funny. . . . Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us" (Publishers Weekly, starred review). Featuring an updated introduction and new essays, as well as illustrations by Xander Marro, this new edition of Body Horror is a fascinating, insightful portrait of the gore that encapsulates contemporary American politics.

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    • Publisher's Weekly

      Starred review from February 27, 2017
      Sharp, shocking, and darkly funny, the essays in this sapient collection by cultural critic and performance artist Moore (Threadbare) expose the twisted logic at the core of Western capitalism and our stunted understanding of both its violence and the illnesses it breeds. Through such diverse avenues as the garment industry in Cambodia, modeling in New York, the history of the sanitary napkin disposal bag, the development of standard time, and the evolution of intellectual property law, Moore’s precise language, organized facts, and intuitive turns of thought uncover the casual and unremitting violence inflicted on the bodies of women by labor, marketing, and compulsive consumption. The book’s main topic, though, is illness, especially the rising incidence of autoimmune illnesses, of which Moore has personal and painful experience. In essays that look at drugs and treatment, her ability to diagnose the blind spots of Western medicine and the ableism of our very vocabulary for disease is as incisive and unsettling as the raw misogyny of the horror films she analyzes. Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us. Agent: Dawn Frederick, Red Sofa Literary.

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