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Night of the Republic

Poems

ebook
1 of 1 copy available
1 of 1 copy available

Poetry about places—from a supermarket to a strip club to a suburban home—from a poet who “seeks what lies at the deepest level of the human heart” (Chicago Tribune).
 
In Night of the Republic, Alan Shapiro takes us on an unsettling night tour of America’s public places—a gas station restroom, shoe store, convention hall, and race track, among others—and in stark Edward Hopper–like imagery reveals the surreal and dreamlike features of these familiar but empty night spaces. Shapiro finds in them not the expected alienation but rather an odd, companionable solitude rising up from the quiet emptiness.
 
In other poems, Shapiro writes movingly of his 1950s and ’60s childhood in Brookline, Massachusetts, with special focus on the house he grew up in. These meditations, always inflected with Shapiro’s quick wit and humor, lead to recollections of tragic and haunting events such as the Cuban missile crisis and the assassination of JFK. While Night of the Republic is Shapiro’s most ambitious work to date, it is also his most timely and urgent for the acute way it illuminates the mingling of private obsessions with public space.
 
“His poems are both artful and unpretentious.” —Boston Review
 

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    • Library Journal

      January 1, 2012

      In his latest, the Kingsley Tufts Poetry Award- and Los Angeles Times Book Prize-winning author of Happy Hour considers place and things. Characters, at first absent, emerge only from the speaker's close examination of spaces, from the seedy ("Downtown Strip Club") to the abstract ("Cigarette Smoke"). A pervasive sense of "lacking" inhabits this book, as in "Hospital Examination Room" where "The intercom is sleeping, / flashing only the red light of a dream/ of no one entering/ to check on no one waiting." Essentially, Shapiro creates a fresh Republic of poetry where generic things are represented without ceremony yet somehow anew. The funeral home, for instance, is uncovered for what it really is: "an inn/ made to look like a home/ made to look like a mansion/ where no one lives." VERDICT Shapiro nicely balances the dual demands of contemporary poetry: free verse and organic rhythm. He's not afraid of the apt rhyme but never forces it. By stripping generic places to their core, he is able to make them, if not new, certainly interesting once again. [See Prepub Alert, 8/18/11.]--Stephen Morrow, Ohio Univ., Athens

      Copyright 2012 Library Journal, LLC Used with permission.

    • Booklist

      January 1, 2012
      In his twelfth collection of poetry, Shapiro, who holds an endowed chair at the University of North Carolina, Chapel Hill, is concerned with phenomena and places. He finds the most generic location and douses for its most evocative associations. A gas station restroom at night, for example, has a stink and anonymity that seem to evoke the general unease of road tripping. An empty strip club during the day holds the presence of its lonely strippers and their lonelier clientele, inching their chairs too close to the stage and the women's nudity. Stone Church, Hospital Examination Room, Indoor Municipal Pool all receive this schematic treatment. Old buildings are embarrassed by their modernist neighbors, by how nakedly / outside / outside is here. Here the line breaks add emphasis to a resonant idea, the sense amplified by the sounds. In the last third of the book, Shapiro uses a similar approach, formally and aesthetically, to visions from his childhood. Readers might take comfort in Shapiro's visions. The poet is also debuting as a novelist this month with Broadway Baby (2012).(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

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