Packed with page after gorgeous page of illustrations demonstrating tried-and-true techniques, inspirational ideas and the most up-to-date information about must-have painting tools and materials, watercolorists find everything they need in WATERCOLOR ARTIST to help them create stunning art...from start to finish.
Editor’s Note
Missouri Watercolor Society
New+Notable
Watercolor: An American Medium • Chrysler Museum of Art, Norfolk, Va. February 21-June 23, 2019
Glorious Passages of Mingled Earth and Heaven • J.M.W. Turner painted the atmospheric Chatel Argent and the Val d’Aosta From Above Villenueve while on a trip through the Italian Alps.
No More Mid-tone Crisis! • For more powerful and dramatic paintings, start with a notan study and India ink.
Try this at home
Going Gray • Harness the power, or embrace the subtlety, of this versatile hue by mixing your own versions using primary colors.
Shades of Gray
demo Gray Matters
Burning Question • What will you do that’s new or different in the coming year to advance an art goal?
THE YEAR’S BEST PAINTINGS • WATERCOLOR SOCIETIES FROM AROUND NORTH AMERICA COME TOGETHER TO PRESENT THE BEST PAINTINGS OF 2018.
Painting Under the Tuscan Sun • NO SURPRISE, THERE’S PLENTY TO LEARN AND PLENTY TO ENJOY DURING A WEEK OF PAINTING IN THE ITALIAN COUNTRYSIDE.
Tips & Takeaways • We asked attendees to share some of the most helpful insights they learned from this week of instruction and inspiration.
GRAZIE!
Ancient & MODERN • ROME-BASED ARTIST WENDY ARTIN RELIES ON HER EXPERT EYE, FEATHERWEIGHT TOUCH AND A TRUST IN WATERCOLOR TO INFUSE HER SUBJECT MATTER WITH LIFE AND LUMINOSITY.
Toolkit
On Edge(s)
Meet the Artist
Seeing in Shades of Gray • START YOUR WATERCOLOR WITH A GRISAILLE UNDERPAINTING TO ENSURE THE WORK IS GROUNDED WITH A POWERFUL VALUE STRUCTURE.
Great Feats of Grisaille
Meet the Artist
WHERE LIFE AND ART INTERSECT • WHERE SOME PEOPLE SEE TRAFFIC OR THE MUNDANE, JOHN BAYALIS SEES A CLEAR PATH TO A PAINTING.
Toolkit
Meet the Artist
Rainy Intersection • John Bayalis works the entire surface in a traditional light-to-dark approach using his favorite blues—ultramarine and manganese—and violet, along with sepia and phthalo green.
A Portrait By Any Other Name • JAMES TOOGOOD MAKES SUBJECTS OF THREE CITIES AND ONE TINY ISLAND IN THE MIDDLE OF THE ATLANTIC FOR HIS LANDSCAPE “PORTRAITS.”
Meet the Artist
It’s Sunset Somewhere • We shed a little light on the history of the nocturne—and how best to achieve your own night paintings.
Strike a Pose