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Sons and Daughters

A Novel

ebook
0 of 1 copy available
Wait time: At least 6 months
0 of 1 copy available
Wait time: At least 6 months
From “one of the great—if not the greatest—contemporary Yiddish novelists” (Elie Wiesel), the long-awaited English translation of a work, Tolstoyan in scope, that chronicles the last, tumultuous decade of a world succumbing to the march of modernity
“A great beard novel . . . Also a great food novel . . . A melancholy book that also happens to be hopelessly, miraculously, unremittingly funny . . . [Grade’s] fretful characters vibrate as if they were drawn by Roz Chast [and] Rose Waldman's translation seems miraculous to me.” —Dwight Garner, The New York Times

“It is me the prophet laments when he cries out, ‘My enemies are the people in my own home.’” The Rabbi ignored his borscht and instead chewed on a crust of bread dipped in salt. “My greatest enemies are my own family.”
Rabbi Sholem Shachne Katzenellenbogen’s world, the world of his forefathers, is crumbling before his eyes. And in his own home! His eldest, Bentzion, is off in Bialystok, studying to be a businessman; his daughter Bluma Rivtcha is in Vilna, at nursing school. For her older sister, Tilza, he at least managed to find a suitable young rabbi, but he can tell things are off between them. Naftali Hertz? Forget it; he’s been lost to a philosophy degree in Switzerland (and maybe even a goyish wife?). And now the rabbi’s youngest, Refael’ke, wants to run off to the Holy Land with the Zionists.
Originally serialized in the 1960s and 1970s in New York–based Yiddish newspapers, Chaim Grade’s Sons and Daughters is a precious glimpse of a way of life that is no longer—the rich Yiddish culture of Poland and Lithuania that the Holocaust would eradicate. We meet the Katzenellenbogens in the tiny village of Morehdalye, in the 1930s, when gangs of Poles are beginning to boycott Jewish merchants and the modern, secular world is pressing in on the shtetl from all sides. It’s this clash, between the freethinking secular life and a life bound by religious duty—and the comforts offered by each—that stands at the center of Sons and Daughters
With characters that rival the homespun philosophers and lovable rouges of Sholem Aleichem and I. B. Singer—from the brooding Zalia Ziskind, paralyzed by the suffering of others, to the Dostoyevskian demon Shabse Shepsel—Grade’s masterful novel brims with humanity and heartbreaking affection for a world, once full of life in all its glorious complexity, that would in just a few years vanish forever.
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    • Kirkus

      Starred review from February 15, 2025
      Finally available in English, Grade's sprawling novel--originally serialized in the 1960s and '70s in two New York-based Yiddish newspapers--dissects a Jewish family in early 1930s Poland torn apart by religious, cultural, and generational differences. The head of the family, based in the tiny village of Morehdalye, is hardcore traditionalist Rabbi Sholem Shachne Katzenellenbogen, who sees Yiddish poets--secular freethinkers divorced from the laws and language of the Torah--as the bane of his existence. To his offspring, his rigorous demands tie him to a "dead world." Escaping his harsh authority, one of his sons studies not the Torah but Kierkegaard in Switzerland, where he secretly marries a non-Jewish woman who won't allow their son to be circumcised. Another son spends time in America, which his father thinks is "akin to renouncing Judaism," before becoming a Zionist radical in the land of Israel. One of the rabbi's daughters, married to a cold-hearted soul considered "one of the Torah greats," rejects the subservient role of rebbetzin, while his other daughter rejects a semi-arranged marriage to another rabbi in favor of studying nursing in Lithuania. The recriminations never let up even as Polish youth gangs, embodying the terrors to come (Grade only alludes to the Holocaust), begin terrorizing Jewish merchants. "My greatest enemies are my own family," laments Sholem Shachne. In sustaining his densely detailed, closed-in, slowly advancing narrative over 700 pages, Grade embraces modernism on an epic scale. He planned a second volume, but died before he could write it--or complete this abruptly ending book. One can only imagine what Volume 2 would have added. But even unfinished, this long-awaited novel is a monumental achievement. A great Yiddish novelist's grimly foreboding and fiercely alive final work.

      COPYRIGHT(2025) Kirkus Reviews, ALL RIGHTS RESERVED.

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