While god is sending her signs through Instagram and Spotify demanding she break up with her girlfriend, Norma meets with a new therapist for one reason: she really needs to write again. With only one chapter missing in her manuscript, Norma is desperate to know if she needs to leave her girlfriend in order to write The Last Story. The new therapist diagnoses Norma with Depersonalization/Derealization Disorder, but Norma isn’t having it. It’s just Oblivion.
Haunted by SSRI side effects and life becoming less hazily fictional by the day, Norma has never felt crazier. Does anyone else see the world’s poorly crafted plotline? Like, who even wrote this story? Norma begins sharing her manuscript with her therapist, hoping to connect the dissociative dots once and for all—or at least enough so that Google ads stop giving her panic attacks. But soon Norma is questioning everything she’s ever believed about life, writing, and love.
And then there’s Norma’s girlfriend, the one with a crack of light in her eyes. Could she be Oblivion’s antagonist, the manuscript’s savior? Or is she just a human?
Told alternately through Norma's barely fictional fiction and her crackling stream of consciousness, Please Stop Trying To Leave Me is an honest, comedic, horrifying, and heart-wrenching story about existing in today’s world, challenging all we’ve been taught about the distance between fiction and reality, sanity and insanity, mental illness and healing.
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Creators
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Publisher
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Release date
June 25, 2024 -
Formats
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OverDrive Listen audiobook
- ISBN: 9780593869352
- File size: 251206 KB
- Duration: 08:43:20
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Languages
- English
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Reviews
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Publisher's Weekly
April 8, 2024
A lesbian woman grapples with her literary ambitions and deteriorating mental health in Saab’s engrossing debut. Norma, 27, believes she sees spiritual signs in Instagram ads about the value of “letting things go that no longer serve you,” which she interprets as messages from God that she should break up with her girlfriend. Her new therapist diagnoses her with a major depressive disorder and depersonalization and derealization disorder, the symptoms of which Norma calls her “oblivion.” The ensuing narrative forays into Norma’s tumultuous childhood, her past sexual relationships with men, and her uncertainty over whether to stay with her girlfriend. Saab achieves a sense of urgency in Norma’s stream-of-consciousness narration of her therapy sessions, and in her desire to finish her story collection after convincing an agent to take a look, but it’s sacrificed to the many pages of Norma’s rough-hewn manuscripts, which she submits to a creative writing class. Still, Saab deserves credit for her freewheeling accounts of her protagonist’s therapy sessions and for questioning what it means to heal. There’s promise in Saab’s affecting and singular exploration of a woman’s attempts to live and write with mental illness. Agent: Mina Hamedi, Janklow & Nesbit Assoc.
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